Jackie Mittoo – You’ll Never Find

Download or Listen to Jackie Mittoo – You’ll Never Find from the Magna Sound Lp The Keyboard King from 1976

While the Northeast is still digging out from yet another snowstorm, I figured I’d drop it like it’s hot, specifically something from Jamaica. For a while I have always tried to dig up some of this stuff out in the field. Honestly, it doesn’t show up that much. Especially this Jamaica to Canada connection, which I find fascinating for one, and has definitely been captured here. So yes it’s Jamaican, and well, it did start out at some hot beaches, but ended up cold in Canada. The point I’m trying to make, as confusing as it sounds, is that the music is red hot. This particular musician is one of my faves. Here’s Jackie Mittoo with “You’ll Never Find” off of the LP The Keyboard King on Magna Sound Records from 1976.

Donat Roy Mitto was born in 1948 in Browns Town, Jamaica. Starting on the keyboards at an extremely early age (four!), Mittoo always remained close to a piano or keyboards during his teenage years. He would go on to play in bands such as the Vikings and Vagabonds. The guy loved music so much that he often did not go to school, opting to play at Federal Studios instead. We all know that this would eventually pay off, don’t we? It was here he was asked by the famous Coxsone Dodd to play in the house band. Mittoo progressed on to college, where he hooked up with a young Augustus Pablo to perform in a group known as the Jackie Mitree. Moving on to the group the Cavalier Orchestra aka the Sheiks, Mitto would eventually get the call from Dodd again in 1962, when Studio One opened it’s doors. Jackie served as the music director, arranging and advising nearly everything the Studio put out. It was here he would form a bond with Tommy McCook, Johnny Moore, and Lester Sterling, leading to the formation of one of the most influential Ska bands, The Skatalites. Although the group only lasted a little over a year (with a short stint of Don Drummond), it is quite evident that the influence they had on Reggae music as a band was huge. I’d like to track down my man King Bravo this Spring at the Spot to see if he could give me some insight on Jackie and the Skatalites. I’ll keep you posted on that. After the Skatalites, Mittoo went solo. All the while he kept an almost unheard of pace with Studio One, churning out at least 5 or more tunes a week. Do the math, Jackie Mittoo put out thousands of compositions, this guy is a monster. From the Wailers to Freddie McGregor to Marcia Griffiths to Frankie Paul, Mitto has contributed to them all. In 1968, Jackie relocated to Toronto, and while still keeping ties close with Kingston, Jamaica, he would be a part of the movement I mentioned in the intro. Jackie Mittoo would die in Canada in 1990 of Cancer. His legacy lives on, through songs such as “Hot Milk”, “Darker Shade of Black” (some of my favorites), and of course this Lou Rawls cover.

Mittoo’s keyboard prowess is featured on this side, as he strolls through an often dubbed out version of Lou Rawls. It is indeed Soulful as it is beautiful. While not hard hitting, it showcases the man’s talents as well as Ansle Collins on Piano, Sly Dunbar on Drums, Robert Shakespeare on Bass, Earle Smith and Alias Chinner on Guitar, and Bo-Pete and Tony Chin on Rhythm Guitars. The labels, is Magna Sounds Records out of Markham, Ontario, but the record itself is labeled TWS 501, which I can only interpret as Third World Sound. It’s interesting really, that the Canada to Jamaica Connection went on, but honestly, it could have been Jamaica to Calcutta and Jackie Mittoo would have been making these great songs. Stay warm and Keep Diggin’!

Ace Hotel NYC Round Up

I’m finally sitting down to write here on a Monday morning, after a great time in NYC. I arrived on Friday at the Ace shortly before my scheduled set time. Originally, I had assumed that I was going to be DJing in the lobby of the hotel, as I had done previously. However, upon arrival (with a completely packed lobby of guests and others drinking, hanging, and waiting for tables at the Breslin), I was escorted to the new Liberty Room downstairs. It’s a smaller venue, but with great decor, enough space to dance, or just sit and hang in the vintage furniture scattered throughout the room. The staff at the venue is really great (shout out to the Sound Guy Alan, Kate, Rachel and all the others for really taking good care of me!), and in no time after a little while of sound difficulties, we were able to get under way. I am leaving a small part out. I knew I was playing from 7PM to 11PM, and that there was a DJ after me, but I had no idea who. That person was Q-Tip. It was definitely a surprise. From the early De La Soul singles to last year’s Kamal the Abstract, I’ve always been a fan. In all of my sets, there is always a bunch of A Tribe Called Quest records as well as original samples they may have used. Q-tip knew how to pick those samples (whether it be Billy Brooks, Roy Ayers, Lou Reed, etc.) for the back beats, and has always been known as a great record collector. Even after losing part of his collection ( I had heard it was somewhere in the neighborhood of 30,000 records) in a house fire a bunch of years back, the guy still brought the heat. My set went well, but as you can imagine, an all 45 set for over four hours is not always the easiest. I finished up with some Disco Soul, and couldn’t find my Barbara St. Clair record (next time!) to end out my set with, so I ended with Bobby Byrd.

Q-Tip’s set was quite eclectic: Starting off with Led Zeppelin’s Wanton Song (and over this massive sound system it shook your ribs) and running through everything from the Bee Gees to Brass Construction to James Brown cuts (off The Payback) to Big Daddy Kane and Pete Rock and CL Smooth joints to some Disco stuff and beyond, the crowd responded well. He’s a great DJ, and what was really cool, was when he talked over some records, his cadence and rhythm in his voice (I mean it’s unmistakable) , with a little reverb added, fit in perfectly. He was a surprise guest and I can’t even begin to tell you how many people came up to me saying…”Is that Q-Tip?” All in all it was a top night, and I want to shout out my friends who came out to see me from NJ and the City. You got an extra treat because I had no idea he was going to be a DJ. He’s a really nice guy, and if you are interested in checking him out live, he’s headlining a DJ night at the Nokia Theater in NYC with Jazzy Jeff (Philly represent) and Peanut Butter Wolf. The ticket details are here. Keep Diggin’!

FMF x Ace Hotel 02.19.10 NYC

Tomorrow night I’ll be in New York City spinning all Funk and Soul 45′s at the Ace Hotel. For those of you not in the know, the Ace Hotel is NYC’s newest spot. This is the second time I’ll DJ there, as I did the after party for the Pop Up Flea from Tanner Goods out of Portland. This time I’ll be spinning in the lobby from 7pm to 11pm. So come out, have some great drinks at the bar, and get some second to none food from the Breslin. Make sure you come up and say hi. See you at the Ace!

RBMA Classic with Mario Caldato Jr.

Since this week is all about the RBMA in London (Don’t forget to answer that question on my Twitter to win tickets to Friday’s event!), I’ve got a special clip of one of my favorite modern day producers. Tomorrow I will feature another one of these producers as well. Until then, sit back, relax, and listen to Mario Caldato Jr. talk about his dealing with the Beastie Boys, producing, and the like. Enjoy!

FMF x RBMA x London

As we speak, Flea Market Funk is trying to dig itself out of a major snow storm here in Asbury Park. However, it doesn’t mean that things across the pond aren’t heating up. The Red Bull Music Academy is off and running over in London from February 7th to March 12th. This month brings out the best of the best in old London Town: David Rodigan, James Pants, Tony Nwachukwu, & Daisuke Tanabe, Ms. Dynamite, Trojan Sound System, Jazzy B, Goldie and many others performing and lecturing in conjunction with RBMA. Now here’s the deal: I’ve got TWO tickets to give away for the show advertised on the above flyer. All you have to do is follow me on Twitter, and answer the question I’ve put up. First come, first serve, and you win. Remember that the show is in London, sooooo, you don’t have to be in London, but close enough to see the show. Keep Diggin’!

FMF Vol. 36 – Do What You Feel Podcast

Hello to all, especially those here on the East Coast of the United States that are completely snowed in like myself. We’ve gotten some snow this Winter, but as far as 2010 goes, we really got pummeled the last few days. It’s basically crippled everything around me, so I couldn’t think of a better thing to do than make a mix. I’ve chosen some artists, a few of them who are popular, but decided to go with some sides that normally don’t see the light of day. The other artists have definitely been around the mix scene for a while, I mean there is only so much music out there ( I can’t believe I just said that). You know the deal though, and in the words of the great Keb Darge:”I play records that are fucking great, that’s my style”. I couldn’t agree with that philosophy more here at Flea Market Funk. I try to just find good records, ones I dig, and ones that I think you will dig. This afternoon’s selections run a little over 45 minutes, and are a mix of 45′s and Lp’s. We have artists from Detroit, Milwaukee, Los Angeles, New York City, Texas, San Francisco, Israel, and Brooklyn among others. Mixed in within the dusty gems is a new found (and soon to be considered a dusty find) side from Finland via LA. Myron and E hit us back with their follow up to “Cold Game” with It’s a Shame”. I have a classic drum break from Odetta, some Funk Rock from Aric Lavie (Thanks Eilon!), a beatmaker’s dream as far as sampling material goes, from a certain gruff voiced Soul singer off of a Original Soundtrack, Quincy Jones teaming up with the Cos to churn out another Funky side that’s not “Hicky Burr”, a JB cover that is pure fire from start to finish, some Gil Scott-Heron for my man James Poole, a Now Again reissue straight from the heart of Texas, a cool Stones Funky Soul cover (with a small skip) and bunch of other sides I’m sure you will dig.

With that out of the way, I’m going to be giving away a pair of tickets for a RBMA event in London. You don’t have to live in London, but at least be close. The event is here. It will be a trivia question, first come first serve. Look for it this week. I’ll send out a Facebook and Twitter post as well, so if you haven’t befriended FMF on either, the links are to the right. Just Do It! Enjoy the mix and I’ll see all you NYC Peeps midweek at Master Groove in NYC spinning Funky Soul 45′s with DJ Bluewater and DJ Prime Mundo (February 10th).

FMF Vol. 36 – Do What You Feel Tracklist

Intro
Together Brothers feat. B.W. – Do Drop In/ 20th Century
Odetta – Hit or Miss/ Polydor
Idris Muhammad – Super Bad/ Prestige
Dennis Coffey – Big City Funk/ Sussex
Harvey Scales & the Seven Sounds – Get Down/ Magic Touch
Sharon Jones & the Dap Kings – Give Me a Chance/ Daptone
Quincy Jones – Chump Change/ A & M
Gil Scott-Heron – Home Is Where the Hatred Is/ Flying Dutchman
Aric Lavie – Autumn Song/ CBS Isreal
The Soul Seven – The Cissy Thang/ Now Again
Watts 103rd Rhythm St. Band – Satisfaction/ WB
Cecil Holmes and the Soulful Sounds – Across 110th Street/ Buddah
Sly Stone – Advice/ Structure
Myron & E – It’s a Shame/ Chateau du Soul
Voices of East Harlem – So Rare/ Sunshine

Download or Listen To: FMF Vol. 36 – Do What You Feel Podcast

Keep Diggin’!

Wilson Pickett – Engine Number 9

Download or Listen To Wilson Pickett – Engine Number 9 from the Atlantic Records 45

I know it’s been over a week, but I’m working it baby, working it. There are some great NYC gigs coming up, as well as some stuff here in AP. Check out my Events page for all the updated gigs. Also a HUGE, I mean HUGE shout out to Heavy Soul Brutha Dave for turning me on (and really pushing me to get on it) Mix Cloud, and for spreading the word of DJ Prestige and Flea Market Funk. So if you would, take some time to check out both sites, the cool mixes by Dave and many, many others at MixCloud. Also, hit up their Favorites page, where you will find a mix of mine that made it’s way into their Funk and Soul lovin’ hearts. Many thanks guys, really. Ok, so today I thought I’d play an artist who I dig, but really never gets any shine at FMF. I have no idea why, but while picking out records and modding my head to Florence and the Machine’s “You’ve Got The Love” remix by the XX ( it’s been on constant repeat for like a week), I put my finger on this very side, so why not give it a shot? Here’s Wilson Pickett with “Engine Number 9″ from 1970 on Atlantic Records.

Born in Prattville, Alabama in 1941, Wilson Pickett sang back up in a vocal group called the Falcons before he would move on to Atlantic Records. For me, Pickett was always a really raw Soul artists. As a youngster I can remember hearing songs like “Land of 1000 Dances”, “Mustang Sally”, “In the Midnight Hour”, and others blaring from my Dad’s home or truck stereo. Before I knew what he looked like, I imagined him throwing himself around the stage in a fervor, hollering all the way until last call (as if I ever knew what that was at a young age). Doing sides at Stax Records, Wilson Pickett would soon get an itch, which would eventually lead him to Muscle Shoals Studios. Here he’d cut songs from everyone from the Beatles to Bobby Womack, using the hottest session guys to back him up. Where bands for decades would go on to cover his upbeat Soul dance floor stompers, the Wicked One himself did his fair share of covers. How about a cover of the Archie’s? The guy wasn’t scared. However, after 1972, he didn’t record many more hits, choosing to do some Philly Gamble & Huff stuff, as well as hitting the tour circuit well through the 70′s and beyond. He eventually recorded some new material in the late 90′s, before succumbing to a stroke in 2006. Known for being one of the hardest working guys around, with an unmistakeable voice in Soul music, Wilson Pickett was indeed one of the greats. Check out “Hey Jude” (with Duane Allman on guitar) and “Soul Dance Number Three” if you need more proof.

This record, to me is pure fire. Gamble and Huff produced, it really smokes. The funny things is, I can’t believe it really hasn’t been sampled. Ok, the Black Sheep use the “engine, engine number 9 line” to pick it up, pick it up, pick it up on “The Choice Is Yours”. The only mention of the song ever used, and I haven’t confirmed it, was by Rick Rubin on Jay Z on “99 Problems”. Needless to say I heard Hova and Yeezy had to fork over big money for their use of “Long Red” to Leslie West of Mountain (On 99 Probs, etc.). I’m getting sidetracked though, and that sampling will be for another day. Bottom line, pick up some Wilson Pickett, specifically this killer side if you can. Keep Diggin’!

Also, check out some goodness from 2004 from Domu at the Red Bull Music Academy, who I will have some stuff with for their London Sessions starting on February 7th.