Funky Sole 11th Year Anniversary

I promote a bunch of East Coast Funk and Soul and music events on these pages, but I need to give a shout to the left coast. I have been a fan of this series of different music nights for a long time. When it was the Root Down, I would try and get my friends in LA to send me the promo flyers because they were so dope. I know I have a few around somewhere. Funky Sole has definitely evolved in the past eleven years. They have had a who’s who of guests at all incarnations of the party (Keb Darge, J-Rocc, Adrian Younge, DJ Nu-Mark, Quantic, Chairman Mao, DJ Shadow, Skeme Richards(among others) and official DJs Clifton, Music Man Miles, DJ Chico, the gang of DJs known as the Soul Travelers, a rotating cast of LA DJs, and unofficial residents Cut Chemist and Egon who have blessed the turntables while opening people’s minds to all kinds of new, funky music from all over the world. Not commercial music. Not radio music. REAL MUSIC. The best part about it? It’s free, every week, and right smack in the middle of all the action.

“It wasn’t like Cut Chemist playing hits, or Egon playing hits, we were experimenting with different types of stuff. It wasn’t just Deep Funk, it was Ethiopian Soul, Psychedelic, Ghanaian, Salsa, Cumbia, Funk, Old School Hip Hop and obscure Cosmic Disco, twisted, dusted, psychedelia. Whatever we wanted to play. ”

I definitely wanted to shout out Miles and the Funky Sole crew, as they have been doing parties the way they should be done since day one. They do it and do it well. If you are out in LA and haven’t been to this party, I urge you to get there and get turned on to a whole different vibe. Miles describes the party itself as “A dance party where we celebrate mostly 60′s to early 70′s Funk Soul music, whether it’s instrumental or vocal. If it’s funky and it moves people on the dance floor, that’s what works at Funky Sole. And vinyl.” Sounds like my kind of place. Hit ‘em up when you’re in the LA area.

Funky Sole
Every Saturday
The Echo
1822 Sunset Blvd
LA, CA

Weekly Special Guests and Surprises

Funky Sole 11th Year Anniversary video directed and edited by Giovanni Solis

Keep Diggin’!

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Big Ups with Akalepse

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Today’s Big Ups is a special one, as I get 10 questions answered from Brooklyn’s own DJ Akalepse. Lepse has been holding down NYC for a long time, throwing proper DJ parties with real music, while also producing and putting out some of the best Funk and Soul music with the acclaimed record label Truth and Soul. His weekly Wednesday night at LPR alongside Rich Medina has had heavyweight guests that included J-Rocc, DJ Spinna, Crazy Legs, Dwele, Easy Mo Bee, and many more, if you thought you could take the night lightly. It is my distinct pleasure to be able to bring him to the pages of Big Ups.

Check Out Akalepse on Facebook.

Read more about Props and Akalepse here.

Follow Akalepse on Twitter.

Respect to Akalepse for taking part in this series. Keep Diggin’!

Marvin L. Sims – Talkin’ ‘Bout Soul


Photos Courtesy of Soul Treasures

I remember getting a call from Prime Mundo a few years back. Apparently, this dude who was always buying up what I didn’t buy at the Spot was opening up his garage to buyers in some retirement village in Jersey. He had a huge garage filled with 45′s and Lps pretty much untouched. I jumped at the chance. I remember the both of us digging from 8:30 AM until about 1 PM, before the guy priced everything out for us. We scored Funk, Soul, and some serious Reggae joints. Unfortunately, we only got to dig through the 45′s, and the 15 foot walls covered with shelves full of Lps would have to wait. I know PM has seen him and asked, but the guy always refuses. I’m hoping that I can get back down there over the Winter sometime to do another dig. Fingers crossed. This is one of the records I dug up that day: Marvin L. Sims and “Talkin’ ‘Bout Soul” on Revue Records.

Born in 1944 in Sedalia, Missouri, Sims got into the music business after his stint in the Air Force which ended in 1965 in groups like the Valentinos and the Gaypoppers. He went solo in 1966 and released a string of sides. There were three on Mellow: “Have You Seen My Baby”, “Disillusioned”, “Now I’m In Love with You”, two on Revue, including this side we have here today: “Danger”, “It’s Your Love” on Uni, “Dream A Dream”, “Love Is No Sin”, “It’s Too Late” on Mercury, “Sweet Thang” on Karen, and “Love Is On the Way” on Rivertown. There sides were released up until around 1973. In 1998, after a 25 year absence in the music business, he released the CD Heart Talk on Rivertown. This side, “Talkin’ ‘Bout Soul”, was on the Revue label. Revue was a subsidiary of MCA, and operated out of Hollywood, CA. The label itself was in operation from 1966 to 1969, where they released primarily Black music from all over the country. If an artist did well on Revue, they were transferred over to Uni to release full length records. Revue had a roster that included Marvin Holmes and the Uptights, David T. Walker, The Chi-Lites, Eddie & Ernie, and Garland Green among others.

Coming in strong with the horns, this upbeat dance floor stomper has Sims preaching from the pulpit throughout. While going through a list of Soul greats and urging you to feel the Soul through your body, (and also breaking into an impromptu Sam and Dave lyric), Sims was a favorite in the Northeren Soul scene with these kinds of records. His other side on Revue, “Get Off My Back”, while not quite as upbeat, is also horn heavy and weaves another break up tale we’ve heard all too many times. Definitely a good side if you can pick it up. So, Monday morning has some Soul, and so does Marvin L. Sims. Keep Diggin’!

Download or Listen to Marvin L. Sims – Talkin’ ‘Bout Soul from the Revue 45

Timmy Thomas – Sexy Woman


Here’s some Indiana Soul via Florida for you this morning by none other than Timmy Thomas. From the first time I found “Funky Me”, with it’s primitive use of a drum machine (after Sly Stone) on the old Glades label, I bought all I could find by this guy. There was always something about him I liked. I have been looking for this side for a minute, and found it right here in my own Brooklyn back yard. Also, it seems like my Big Ups section is starting to take off. The latest with Super DJ/ Producer/ Writer/ Black Sabbath lover Cosmo Baker and NJ Artist/Musician/ Vinyl nut Pat. James Longo are “Stone Cold” reads. If you haven’t checked them out, please do. I’ve got a huge amount of people lined up, including DJ Andy Smith, Jukka from Timmion Records, Skeme Richards, Mr. Finewine and many, many more. Stay tuned for them. For now, let’s get into Timmy Thomas with “Sexy Woman” on Glades Records from 1975.

Born in 1944 in Evansville, Indiana, Timmy Thomas started out early in the music business. Playing keyboards and singing, but eventually moving his role over to producer, he started working on the side with Cannonball Adderley and Donald Byrd. He then became affiliated with Goldwax Records (Hello! James Carr on this roster). Unfortunately, he had no luck there as a solo artist, but put out a few sides with Phillip & The Faithfuls in 1964. Thomas migrated to Memphis where he picked up work as a sideman, but continued to release singles over at Goldwax. Most notably, he put out “Have Some Boogaloo” and a few others in 1967. Trying his hand with the Climax label with a single release, it wasn’t until he made the switch to Henry Stone’s Glades label that he found the success he wanted. We all know that Stone’s Florida empire had artists like Betty Wright, Clarence Reid, Archie Bell and the Drells, and Lattimore, and Timmy Thomas was about to leave his mark. His side “Why Can’t We Live Together”, which went on to sell over 2 million copies. Duets with Betty Wright and more sides for Glades and the Disco Stone imprint T.K. would follow, but he would never equal the popularity of “Why Can’t We….”. He went on making music after Glades, but moved to role as a producer in the modern day, and appearing Soul siren Joss Stones Soul Sessions record (produced by Betty Wright).

Sandwiched in between The Back Yard Heavies “Expo ’83″ and Kool and the Gang’s “N.T.” on the now infamous DJ Shadow/ Cut Chemist 45 freak out Brainfreeze, “Sexy Woman” is definitely one reason I have a soft spot for Glades 45′s. Even before Brainfreeze when I was digging up Lattimore and Clarence Reid joints, I was hot for Glades. I was hot for the Betty Wright releases too. Don’t sleep on “The Babysitter” (a favorite by Devil Dick soon to be in a Big Ups section). Shadow and Chemist showcased it, but I never ever see it in the field. This past week digging I did, so I figured “why the hell not?”. The open drum break in the beginning sets this off, and by the time the horns jump in, well it’s like sneaking out at Summer Camp to meet the girl of your dreams and getting to second base. This song is a definite favorite of mine. As my old friend Miss Delores would say: “Jamison, this is some wall grinding music…oooh child!” Keep Diggin’!

Download or Listen to Timmy Thomas – Sexy Woman from the Glades record 45

freethinking NYC Tomorrow Night 05.27.10

You know I love my music here at Flea Market Funk. In fact, I love it so much that I try to spread the word of this music around with the DJ nights I have been doing for the last 15+ years all over the country. Here’s a chance to check out a night in New York City. freethinking NYC is about blurring boundaries. It’s about proper music. It’s a journey through a rich musical heritage. It’s about ignoring the conventions. DJ James Poole and I take you on a journey through sound. From Stoke-on-Trent in the UK to Asbury Park, NJ to New York City and beyond, we combine Deep Funk, Soul, the Sounds of Manchester, Jazz, Rock, Hip Hop, Electronica and more to encourage you to do one thing: Bring an open mind. We’ve selected an inviting spot at Kush in the Lower East Side of Manhattan to spread the word of this music. Who says Gangstarr can’t be right along side of The Smiths, or Portishead next to Aretha Franklin? This night is all about the music, whether it’s something off the beaten path today, or a forgotten crate gem for the early 70′s, the music speaks for itself.

For more information, check out The FreeThinking Movement on the web. We’re spinning all things Funky from both sides of the Atlantic, and better yet, it’s FREE! Keep Diggin’!

Free Thinking at Kush NYC Tonight!

It started in 2002.

It’s starting again in 2010.

Free Thinking is about blurring the boundaries. It’s about proper music. It’s a journey through a rich musical heritage. It’s about ignoring the conventions.

If it’s good, it’s in.

DJ Prestige, hailing from Asbury Park in New Jersey, is a purveyor of fine Funk and Soul, quality Hip Hop, plus anything else that’s Funky and Soulful. He’s kept an open mind as a DJ in his 15+ years of spinning records in big cities and small towns across America, trying to keep this music alive. Holding down several residencies in his hometown of Asbury Park, while also keeping dusty 45’s alive on FleaMarketFunk.com, Free Thinking marks DJ Prestige’s return to regular spinning in New York City. He’s opened for artists from the Bad Brains, to the Budos Band, to the Killers to legendary MC Q-Tip and more, all along the way spreading the message through the music. Good Music. Free Thinking Music. It’s not just about entertaining, it’s about educating as well. Let’s not forget the foundations of yesterday that built the house that today’s music rests on. It’s his commitment to keep this music alive that makes him a Free Thinker.

James Poole is in self-imposed exile in New York City. Originating from Stoke-on-Trent in the industrial north of England, he was shaped by the music emerging from Manchester through the 80s and 90s, and the relentless sound of Motown in his family home. This clash of influences is at the heart of the Free Thinking philosophy. The strict conventions of genre shouldn’t rule what we listen to; it’s about a feeling. Sounds from Manchester in the 90s should be heard next to batucada. James has applied this outlook in New York and in the UK, including opening for acts such as 808 State and Manchester pioneers A Certain Ratio. Coming from an alternative perspective to most DJs on the NYC circuit, you can be sure to hear music that’s new to you, even if it’s from the early 70s. Good Music. Free Thinking Music. It’s about throwing the record crate in the air, seeing where it lands, and showing you what you may have missed. Let’s embrace the unknown, and see how joining the dots can lead to sounds that are fresh, regardless of their age. It’s his desire to push the boundaries that makes him a Free Thinker.

Bring an open mind. Be a Free Thinker.

04.17.10 Record Store Day, Asbury Park Style

There are many reasons we all love vinyl: the sound, the feel, the album cover, the liner notes, the instant gratification of putting the needle on the record so the drum beat goes like this…..But what of the record store? You know, the place where you go to get your vinyl. In recent years, there have been less and less of these places. Sure you can got to any big city: New York City, Philly, Chicago, LA, San Francisco, London, etc., and you’ll find thriving shops with vinyl ranging from Punk Rock to Turkish Funk to Jamaican Dub and beyond. How about the smaller, rural areas? You may find some Mom and Pop places, who have Stax dead stock from when Harvey Scales put out his 7″ (in that case you’re damn lucky), or the odd little nook that has some Danzig 45′s up on the wall (fat chance). You may even find that place called a record store that has like 3 picture discs of Gaslight Anthem and the rest of the store is full of tees and ‘zines. Whatever the case is, they’re selling vinyl. You know, a 7″, 10″ or 12″ round thing that you have to put on a turntable to listen to. I don’t care if you’re listening to it through a Fisher Price portable, a Sound Burger, a console turntable that looks like a piece of furniture, some 1200′s, or one that rips it easily into an MP3, you’re playing vinyl, and that’s what matters. You see, even though there is a resurgence of vinyl releases (I mean they never really went away, despite what the naysayers shout), there is a disappearance of the record store. Long gone were the days when you had to go to the department store (mine was a KMart) to pick up some new releases. I still have that Eric B. and Rakim “Paid In Full” Cold Crush Remix from the day it got released. I saved up and bought that, as well as Devo’s “Whip It” on 45. From there I graduated to an actual record store, on the Eastern Shore of Virginia. I was in between 7th and 8th grade, and when I went there, I got lost. Golden Age Hip Hop, Reggae, R & B, Rock, Dance, you name it, it was there. Herbie Hancock’s “Rockit” was played over and over. I wanted that 12″, and I wanted to learn to do what DST was doing over the beats. When I finally saw him scratching on the video, I tried to do it on my own stereo, with not much luck. That’s for another day though. I can remember driving an hour to get to Vintage Vinyl in Ocean, NJ (RIP), the Princeton Record Exchange, Rock & Soul, Fat Beats, and then when I went on tour, every record store across the country in every city we played in. Fast forward to 2010. The digital age and the digital DJ are all around us. Some things have made it easy for real DJs (Serato, thankfully, and you still get to spin vinyl. You still have to be able to DJ though, it’s not a free pass), while other things have given access to a whole generation of kids who have never even touched or felt what a record is. To me, if you’re a DJ and you haven’t ever, or refuse to use a record, you’re missing out. I’m not saying that DJs aren’t capable of mixing CDs, because there are a few that have made it. Kudos to them. However, if you talk to any major DJ, you’ll find that they got their start with vinyl, fell in love with vinyl, and don’t stop buying vinyl. That’s a fact. In fact, most people who are vinyl obsessed revolve their life around it. I can admit I am one of them.

So, that’s where we are for this post. On Saturday April 17th, from 12 noon til 2 PM I will be DJing at Hold Fast on Cookman Avenue in Asbury Park, in honor of Record Store Day. You can review their event page here. Let’s remember to give support wherever you are to all those record stores that feed our vinyl habit. I’ll be spinning an all 45 set of Deep Funk and Raw Soul, plus some other surprises. There is no admission, so if you’re in the area, come check out some great choons in Asbury Park. I’m going on early due to a prior engagement, so grab a mimosa and some brunch and groove to some afternoon cheer. See you there. Keep Diggin’!

FMF x Ace Hotel 02.19.10 NYC

Tomorrow night I’ll be in New York City spinning all Funk and Soul 45′s at the Ace Hotel. For those of you not in the know, the Ace Hotel is NYC’s newest spot. This is the second time I’ll DJ there, as I did the after party for the Pop Up Flea from Tanner Goods out of Portland. This time I’ll be spinning in the lobby from 7pm to 11pm. So come out, have some great drinks at the bar, and get some second to none food from the Breslin. Make sure you come up and say hi. See you at the Ace!

Harvey Scales and the 7 Sounds – Get Down

Download or Listen to Harvey Scales and the 7 Sounds – Get Down from the Magic Touch 45

With so many announcement and gigs going on, let’s get back to the music, shall we? I had some other stuff lined up this week but bumped it because at the last 45 Sessions this past Friday DJ Bluewater brought some sales and trades. This very record was in the box, and well, now it”s in mine. Also a shout out to all who came out for Mastergroove at Forbidden City this past Wednesday. This night is building into a really great night, with Guest Dj’s such as Nick Cope spinning black gold so far. More guests and more music every Wednesday. I’ll be doing another one of the nights very soon, it was a blast. When you’re there, try the Chicken Donburi, it kills it. Ok, so with all that out in the open, make way for Wisconsin’s own, Harvey Scales and the 7 Sounds with the flip side of “Love-itis” (which kills it in it’s own right) and “Get Down” on Magic Touch Records.

I originally reviewed “I Wanna Do It”, a later Stax side Scales did, which is a scorcher of a 45. However, this time I’m headed back to 1967 when they had a hit (their biggest one) on Lenny LeCour’s Magic Touch label. Twistin’ Harvey Scales, was/is a genius. His fervor and showmanship, not to mention his songwriting abilities have had him stand out as a solo artist, and the latter has helped others along the way (Johnnie Taylor) as well. Quite comfortable at writing, Funk, Funky Soul, and later on, Disco records, Scales proved to be still relevant within the last few years when the cats over at Dig Deeper in Brooklyn had him perform at one of their Live Soul nights. See the video from my previous Scales review link, and you surely will not be disappointed. Recording for Magic Touch, Chess, Stax, Chew, Cuca, Casablanca, and Earthtone among others, Scales has led an interesting life. As mentioned in a previous review, he had the first Platinum single ever with Johnny Taylor’s “Disco Lady”. The man is massive, and why haven’t you heard of him? If you’re in the Funk and Soul scene, especially the 45 game, you most likely have. Perhaps you haven’t heard of this side though, and as my good buddy Primitive Sound System says about this side: “Flip that baby over!” You’ll be glad you did.

“The brand new dance in the Midwest called the Get Down”, is a sweet little number that Scales jumps, hollers, and pushes through. A driving drum beat and horns throughout, plus the hand claps (who the hell puts hand claps in anymore?) drive the dance floor into a frenzy. The screaming of Scales, telling everyone to Get Down and then FREEEEEEEEEZE is enough to make you get up out of your desk chair and shake it ( I know I did). He even tells you that the freeze is like it’s cold outside in January baby. Harvey Scales could sure make a record. I hope you enjoyed this side, and as Pat says, flip that baby over, and enjoy the second side of “Love-itis”. Keep Diggin’!

01.15.10 Asbury Park 45 Sessions Wrap Up

So here we are, in the third year of the Asbury Park 45 Sessions, and coincidentally the third year of Flea Market Funk. I couldn’t do it without the people who support my DJ nights and of course the great DJs I get to DJ beside at these gigs. This last installment of the 45 Sessions brought out the best in everyone, and of course the crates and music were, to put it bluntly: heavy. There were a lot of old faces in the crowd, but plenty of new faces as well, who were astonished that we were all just spinning 45′s. You see, even though this music is old, it’s the foundation for all of the music today, and it still kicks ass. Every DJ who spun played some sort of record that has been sampled, sometimes even more than once. Funny thing is, a lot of these records don’t get the respect they deserve. That’s where we come in. DJ Bluewater again impressed with great stuff, including a Pete Rock sampled 45, The Ambassadors (Let’s Straighten It Out! What!) to close out his set. Funky 16 Corners Larry Grogan brought out his Beauty Hardcase full of goodies and was nothing less than fantastic. Special Guest selector Devil Dick hit everyone HARD with the record of the night: African Music Machine’s “Tropical”. DJ Prime Mundo threw in a great Reggae version of “I’m Your Puppet”. M.Fasis and I tag teamed the closing portion of the sessions with some uptempo Soul, James Brown Disco Funk joints, and Barbara St. Clair. Shout out to DJ Andy Smith for turning me on to Jackie Beavers “Mr. Bumpman”, which brought down the dance crowd. All in all, a great night! I’m looking forward to the next sessions for sure. Here’s some photos from the night and set lists as they come in. Keep Diggin’!


DJ Prestige Setlist (a 4 on 4 Tag Team Set with M.Fasis)

Wilson Pickett – Mama Told Me Not To Come/ Atlantic
The Vibrettes – Humpty Dump/ Lujon
James Brown – Bodyheat Part 1/ Polydor
Mophono – The Shuffle/ CB Records
Herbie Hancock – Bringing Down the Birds (B Boy Edit)/ MGM
Stevie Wonder – Uptight/ Tamla
Gus “The Groove” Lewis – Let The Groove Move You/ Tou-Sea
King Rubin and the Counts – Cow Peas/ Top Pop
Barbara St. Clair – Teacherman/ Soul 7
Jackie Beavers – Mr. Bumpman/ Buddah
The Isley Brothers – Fight The Power/ T-Neck
Etta James – Out On the Street, Again/ Chess
Ground Hog – Bumpin’/ Gemico
Maceo & the Macks – Soul Power ’74/ People


DJ Prime Mundo Setlist
the wallace brothers – woman, hang your head in shame (jewel)
freddie scott – run joe (shout)
grover washington jr. – mister magic (kudu)
lonnie liston smith – expansions (flying dutchman)
the rising sun – feel it (kingston)
alvin robinson – down home girl (red bird)
myron e & the soul investigators – cold game (now again)
jimmy london – i am your puppet (jama)
syl johnson – let them hang high (twinight)
black ivory – surrender (today)
mophono – groovin’
the soul cop – i keep coming back for more (norfolk int.)
ella washington – fragile (sound stage)
cinnamon suns – funkapy (ida)


M.Fasis as Skills looks on.


Funky 16 Corners bringing it as usual.


Devil Dick aka Big Papi doing it to death.
Devil Dick Setlist
Jimmy Norman – I Don’t Love You No More – Little Star
Tommy G and the Charms – I Know What I Want – Hollywood
Little Ben and the Cheers – Brown Eyed Devil – Rush
Bobby Moore’s Rhythm Aces – Go Ahead and Burn – Checker
Hollis Floyd – Black Poncho Is Coming – Silloh
Godfrey Daniel – Dance to the Music – Atlantic
The Johnny Otis Show – The Watts Breakaway – Epic
Brooklyn People – “Wreck” – Cheri
King Curtis and the Kingpins – Whole Lotta Love – Atlantic
African Music Machine – Tropical – Soul Power
Jack Ashford & the Sound of Detroit – Do the Choo Choo (Part 1)
Rimshots – Do What You Feel – Stang
Inez Foxx – Circuit’s Overloaded – Volt
Little Jimmy Taylor – What You Need Is A Ball – Galaxy
Lou Donaldson – Sassy Soul Strut – Blue Note


DJ Bluewater Straightening It Out.


Old School Asbury Park Crew: Sinner, Rueben, Skills, Prestige.


Trades and sales…who’s buyin’?

See You in March!

FMF Vol. 35: Downtown: Raw Funk & Soul 45′s

It looks like 2009 is coming to a close, it came so fast, I really can’t believe it. It’s been a great year of digging, traveling, and making moves here at FMF. From the killer Asbury Park 45 Sessions with the AP 45 Crew, to record digging in the UK with DJ Andy Smith, drinking whiskey with the legendary Keb Darge, doing a 4 turntable, no practice, 4 hour show with DJ Un-G here in AP, opening up for the Budos Band in BK and Joss Stone here in AP, the all 45 gig at the Ace Hotel in NYC, hanging with really cool peeps like photographer Eilon Paz and one of the best collectors around Pat James Longo (who spun at the 45 Sessions and killed it!), to meeting a ton of new faces on here and out at live shows. I’m proud at what Flea Market Funk has become. It’s unbelievable that we’re approaching our third anniversary here in March, but we are. So, in honor of a good year, I figured why the hell not put out a mix as a tribute to 2009. You’ll notice that the cover is a dilapidated building. In fact, it’s one of my favorite buildings in Asbury Park. It’s been abandoned for years, and is now slated to get razed any day. It’s one of the remaining original downtown buildings in the center of town on Cookman Avenue. It’s been many things throughout the years, but has always stuck in my mind as a bar because of the giant LIQUOR sign up top. The photo reminds me of how these records can be abandoned and forgotten just like this building. It’s up the you and I to keep this music alive, ya dig? This mix has a bunch of stuff I dug up in the UK and in Asbury Park, at the Spot, and a few reissues and redits that I really enjoy and haven’t included on a mix yet. The mix starts off with a Modern Funk monster from Australia, and has everything from UK Library music, Disco Soul, Northern Soul, gritty Funk, and some Sweet Soul to round it off. You may recognize some voices on there as well in between tracks, I dug up a few oldies from some guest mixes I did years ago. Please enjoy this mix, and if you dig it, pass it on. It clocks in around 42 minutes.

FMF Vol. 35: Downtown: Raw Funk & Soul 45′s Tracklist
Intro
The Putbacks – Diamond Cutter/ Hope Street
Albert Jones – Vida Blue/ Tri-City Recording Company
Eddie Bo – If It’s Good To You (It’s Good For You)/ Scram
Jo Ann Garrett – I’m A Now Girl (Do It Now)/ Duo Records
Little Carl Carlton – Competition Ain’t Nothin’/ Back Beat
Herbie Hancock – Bringing Down the Birds (B-Boy Edit)/ MGM
Studio G’s Beat Group – Movin’/ Licorice Soul
LJ Waiters & the Electrifiers – If You Ain’t Gettin’ Your Thing/ La Shawn
Barbara St. Clair – Teacherman/ Soul 7
Willie Gresham and the Free Food Ticket – Step By Step/ Majesty
Sarah Webster Fabio – Sweet Songs/ Tramp Records
The Highlighters – Lulu/ Chess
Mayer Hawthorne and the County – Just Ain’t Gonna Work Out/ Stones Throw
The Messengers – California Soul/ Soul
Outro by Mike G of the Jungle Brothers

Download or Listen to FMF Vol. 35: Downtown: Raw Funk & Soul 45′s

Thank You for all your support of Flea Market Funk in 2009, and I’ll be back in 2010 even better. Most importantly, Keep Diggin’!

The Village Choir – The Switch

Download or listen to The Village Choir – The Switch from the Paramount 45

Here we are at the beginning of the week. The weather sucked until yesterday. However, this weekend, football wise was fantastic. The Red Bulls won their final game ever played at the Swamp, and Liverpool crushed Man. U 2-nil at home. I couldn’t have asked for better football. We did it without Stevie G. and Sir Alex had to go home and drink lots of wine and whiskey to get over it. But I digress, we’re here for records, and here’s something I picked up a few years ago, have definitely played live, and included on a FMF mix. Here is The Village Choir with “The Switch” from 1973 on Paramount Records.

Not a tremendous amount of info around about this band. They were a New York City band I believe, and at least one member, guitar player Edward Arrington, Jr., ex-Motown backing player, recorded with the band Village Soul Choir on their “Talk To Me Sometime” 45 in 1972. I do not know how the Village Soul Choir morphed in Village Soul Choir, but Arrington was involved with that as well. This record was produced by Sir Charles Matthews and arranged by Clip Hightower. Matthews described the band as ” a choir that sang R & B and Pop. Village denoted the sound in it’s uniqueness, Soul denoted that it was church oriented, and Choir denoted it was heavy.” I was able to find out that it was recorded in George Klabin’s 46th Street studio called Sound Ideas, with Geoff Daking engineering the sessions. The Village Soul Choir also recorded one helluva children’s record in “Soul on Sesame Street”. The players also included arranger Clip Hightower, Don Otis Parker, Pat McQueen, Dolores Cooper, and Jimmy Marshall. The released a 45 that was included on that record of “The Cat Walk” (the bass line on this thing is KILLER).

“The Switch” starts out with a stanky little bass line, and a decent little beat. Honestly, before I did any research for this record, I just chalked it up to a funky, sexy lil’ number. I didn’t take into the consideration the Church influence the band members had, and as I’m listening it to it again, I hear the Gospel influence. It almost has a traditional/ folk quality to the lyrics, like some spirituals that would be sung at home on a Sunday. Then it switches (no pun intended). The string arrangement gets pretty tough, and the chorus of “rickity rack, sock boom bah”, while kind of corny, still fits in with this Funky Soul piece. I’m definitely feeling this on a late Sunday/ early Monday morning. Hopefully you will too. Keep Diggin’!


Check Out some of this Children’s Funk Gold! (Not sure if it’s the Village Soul Choir but it’s FUNKY as hell!

Berry Park/ Budos Band Recap

All I have to say is WOW! What a great night in Williamsburg, Brooklyn. We got up to Brooklyn early and hit SEA for some really great Thai food. With full bellies we proceeded to Berry Park. It was just filling up and my man Dave from Truth and Soul was dropping some really great 45′s to get the mood set. Up next came DJ Young (Old) Chris from Big City Records in Manhattan. The guy is notorious for having heat, and honestly, the shit he dropped was insane. Little by little the place filled up, and when I dropped my first 45, it was on. I couldn’t have asked for a better response, seriously. From the first record to the last, I had a lot of people coming up and asking me about sides, and generally digging my set. It felt pretty good. I haven’t spun in Williamsburg in a minute, and I got some love, which is really appreciated. After my set, Damu the Fudgemunk brought his beats and samples as the place was already jam packed. By the time the Budos got on, the place was banging. I stayed for a bit of their set, but my 16+ hour day was catching up to me, (not to mention the delicious Lambic/ Heffeviezen gigantic beers I was drinking). I’m upset I didn’t get to catch Voodoo Funk’s set (because the guy has HEAT and you know it), but there will be another time.

Huge shout out to Dave from Truth and Soul, Dan from the Budos (and all the guys as well), my NJ and PA peeps that came out, Eilon from Dust and Grooves, James for finally getting together after way too long, Tom from Belgium (yeah Belgium!) that came to the show, and everyone else who showed some love Flea Market Funk’s way. It is much appreciated people. No love to the dude who smashed my beer causing it to go over my headphones and a pile of 45′s. Looking forward to getting back to Billyburg real soon. Cheers. Keep Diggin’!


Repping Asbury Park!

DJ Prestige Set 10.22.09

The DT6 – The Baden Persuader/ Starla
Nolan – I Like What You Give/ Lizard
Don Gardner – My Baby Likes To Boogaloo/ Tru-Glo-Town
King Rubin & the Counts – Cow Peas/ Top Pop
Faye Ross – Faith, Hope, and Trust/ Round
Myron & E w/ the Soul Investigators – Cold Game/ Timmion
Panic buttons – O-Wow/ Gamble
The Interpretations – Soul Affection/ Bell
Lou Courtney – Hey Joyce/ Popside
Jackie Lee – African Boo-Ga-Loo/ Keyman
Freddie Terrell & the Soul Expedition Band – Soul Know How To Make Music/ Shout
Lavell Kamma – I Can Help You Find Yourself/ Jewel
Bill Doggett – Honky Tonk Popcorn/ King
Wee Willie Mason – Funky Funky Hot Pants/ Jay-Walking
The Fabulous Counts – Jan Jan/ Moira
TNT Band – The Meditation/ Cotique
Foxy – Trouble/ Double Shot
Shirley Brown – I Ain’t Gonna Tell/ Abet
The Johnny Otis SHow – The Watts Breakaway/ Epic
Monica – I Don’t Know Nothign Else To Tell You, But I Love You/ Toxsan
Betty Harris – Mean Man/ Sansu
Marvin Holmes & the Uptights – Ooh Ooh the Dragon/ Uni
Nina Simone – Save Me/ RCA
Paul Humphrey & His Cool Aid Chemists – Funky LA/ Lizard
Ray Barretto – Soul Drummers/ Fania
Lavell Hardy – Don’t Lose Your Groove/ Rojac
Willie & the Mighty Magnificents – Funky (8) Corners Pt. 1/ All Platinum
Sugar Billy – Super Duper Love/ Fast Track


Gotta bring some AP to the BK.


Old and New friends, plus some Fancy beers!

It’s Ok To Say No – FMF Vol. 34 Podcast

Well, it’s been a long time coming, but I finally buckled down and made a new mix. Hopefully I will be able to start churning these out on a more regular basis again. My work schedule has been hectic, and I don’t have that extra time to make the mixes like I used to. I’m going to try, I really am. I have plenty of records piled up for about 10 mixes, so at least here’s a start. For this one I combined a really great group of Deep Funk, Sister Soul, and even a Reggae tune that I had dug up in the field and in various trades/ purchases to make this All 45 mix work. I brought out this children’s educational record as well to bring the theme together. It’s all about saying “NO!”. This particular record I sampled had a creepy, fuzzy Funk side that I might review in the near future. Who says the dangers of strangers can’t produce a Funky side? Thanks to all who were patient, and thanks to Mike G from the Jungle Brothers for giving me the shout out. So like the J. Beez Comin’ Through, here’s the latest FMF Podcast:

Number 34, It’s Ok To Say No! Tracklist

Mike G of the Jungle Brothers Intro
Nolan – I Like What You Give/ Lizard
Bill Doggett – Honky Tonk Popcorn/ King
Earnest Jackson – Hogwash/ Stone Records
Bo Diddly – I’m High Again/ Checker
King Rubin and the Counts – Cow Peas/ Top Pop
Betty Harris – Mean Man/ Sansu
Willie West & The high Society Brothers – The Devil Gives Me Everything Pt. 1/ Timmion
Lavell Kamma – I Can’t Help You Find Yoursel/ Jewel
Marva Whitney – Ball of Fire/ King
Reynaldo Domino – Don’t Go Away/ Blue Rock
Etta James – All The Way Down/ Chess
Faye Ross – Faith, Hope, & Trust/ Round
Delroy Wilson – Cool Operator/ White Label JA

Download or Listen to It’s Ok To Say No – FMF Vol. 34 Podcast

Keep Diggin’!!

Betty Harris – Mean Man

Download or listen to Betty Harris – Mean Man from the Sansu 45

I wanted to apologize to all who checked in on Monday for a new post. Unfortunately I had to make some real world moves, and until I start to get paid for FMF, I might be missing a beat now and again during the week for a while. My Friday night party got canceled due to circumstances that were out of my control (bar closing), so I’ve been hustling a bit to try and make some extra dough for the moment. I’m gonna do my best to really get to three posts a week, but until things get straightened out, they may be only 1 or 2 until then. Got it? This record was one I scored on the infamous $1 “Hey Joyce” day. It was a side that I needed to have as well, so it took me until then to really dig it out to review. Here’s Betty Harris with “Mean Man” on Allen Toussaint’s Sansu Records.

Born in Orlando, Florida in 1941, Betty Harris was raised in Alabama. Like so many of these great Soul singers, her start to this music game was deep rooted in the church. Her similarity to these singers was that they all left their roots to sing secular music. Some return eventually, some don’t. At age 17 Betty Harris would be taken under the wing of singer Big Maybelle. This resulted in some experience before eventually relocating to California, where she’d cut the side “Taking Care of Business” on Douglass Records in 1960. As many musicians in general did in the 1960′s, she was prodded to relocate once again. This time to New York City. She hooked up with Bert Berns for her rendition of Solomon Burke’s hit “Cry to Me” on Jubilee. This was her first taste of a Top 40 song. Her next two records did not fare as well (“His Kiss” and Mo Jo Hannah”) and she was soon off Jubille, but relocated once again to New Orleans after meeting Allen Toussaint. He scooped her up for the Sansu label. Here her Gospel filled Blues type ballads would give way to edgier Rhythm and Blues filled funkier sides. This relationship with Toussaint would finally give way to another Top 40, actually Top 20, in 1967 with “Nearer To You”, after she released a handful of Toussaint produced goodness. A duet with Lee Dorsey would follow. Harris’s career started to forge ahead, and she was slated to be a support act for Otis Redding before he was killed in the famous plane crash in 1967, and the bad luck started again. However, it as she moved ahead, she cut this very record with some studio musicians, you might have heard of them, members that would eventually become the Meters. Her relationship with Toussaint ended, but not without leaving us with a killer tune : “There’s A Break In the Road”. A Classic! She remained undercover until the 90′s, raising a family, her career forgotten (even to her) until some compilations in the UK were released, and finally Soul fans and diggers weren’t the only people who knew about Betty Harris.

This side is killer! From the horns, to the harmonizing, Betty Harris sure lives up to her potential in this Toussaint written number. The drums are all New Orleans on this dance floor smasher (in my opinion that is). Even though this guy is mean, there has got to be a reason she’s staying with him, and I can only say it’s her great voice (not to mention the backing band). If you don’t know who this backing band is, it’s members of the Meters like I said earlier. Get your groove on with this people and pay tribute to one of the best funky Soul music has to offer. Keep Diggin’!