Category Archives: funk

The 45 Shirt: FMF x Listen Clothing

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A while back I put out the 45 shirt design, but just couldn’t get a collaboration that was quite right. However, as like minded individuals seem to always get together, the collaboration between Flea Market Funk and Listen Clothing begins. I have been a fan and supporting this company since their inception, and when I was on tour a few years back, my man Renz sent me a box of Listen stuff that has been worn on countless gigs, tours, and the like. Listen Clothing has been preserving the music, culture, and quality artists for over 10 years through their clothing and accessory lines. I am proud to announce the first (of many hopefully) Limited Edition tee shirt collaborations between Flea Market Funk and Listen: The 45 shirt.

Here’s a shirt that all you 45 heads have been fiending for: a nod to graphic design and typography combined with some great Funk and Soul 45 bands. There are some easy finds on here as well as some Holy Grails. We all have some of them, we all want some of them, but the bottom line is that these records are appreciated. I wanted to help preserve these artists in one of the most creative ways I could think of, the tee. We’re also working on some limited edition prints as well. After all, it’s “The Way We Live”.

Stay tuned for more details about buying this design in shirt and print form.

Click here to enlarge the graphic.

Keep Diggin’!

Grab This DJ Andy Smith Exclusive Mix!

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I am starting up the Guest Mix Series again over here at FMF. Last time I had a great bunch of mixes from everyone from Funky 16 Corners to the artist COOP to Jason Perlmutter to Supreme La Rock and more. This time I’ve reached out to some different DJs to put together a mix of whatever they like, not necessarily Funk and Soul. I’m doing this for two reasons: one, I want to have some Big Ups people give you some great mixes, and two, I wanted to start a sort of pledge drive here at FMF. I do not make money on FMF, everything is out of pocket and done for the love of the music. However, as my server costs are rising, it’s getting more expensive on the monthly. I’m asking you, the FMF readers, the faithful who have been here since the beginning, to donate.

You can donate by clicking this link and following the instructions on the page. Any little bit helps. Thank you for your continued support on FMF!

That being said, the first mix is from my man DJ Andy Smith out of London. Known for his genre smashing classic Document mix series as well as label specific vault digging mixes (Greensleeves, Trojan) and let’s not forget his Jam Up Twist party that plays all over the UK, Andy took some time to make a mix that will be up on FMF for a month exclusively before going public. It changes styles like Son of Bazerk, it’s fresh, and I’m hoping you are going to dig it as much as I did. More Guest Mixes to come. Stay tuned.

DJ Andy Smith Many Styles Mix

1) Let’s Rock – Feel (Vista Sounds)
2) Dyin’ To Be Dancin – Empress (Prelude)
3) Chill Out – Free expression (Vanguard)
4) The Art Of Drums – Macattack (Baad!)
5) Brooklyns In The House – Cut Master D.C (Be Bop & Fresh)
6) One For The Treble (Fresh) – Davy DMX (CBS/Tuff City)
7) The Party Scene – The Russell Brothers (Portrait)
8) Oily – Juggy (Sue)
9) Tutti Fruiti – Lee Austin (Polydor)
10) Egg Roll – (Unknown artist) – (Funk 45)
11) Move To Something Funky – BLVD Mosse (Scorpio)
12) Paper Chase – Krown Rulers (Soo Deff/Warlock)
13) I Aint Wid Dat (Inst) – Funk Master Wizzard Wiz (Tuff City)
14) Soupy – Maggie Threat (Dyno Voice)
15) Hard To Road To Hoe – Otis Lee (Soul Magic)
16) You Got To Have Money – The Exits (Gemini)
17) I Got A Woman – Ray Charles (Atlantic)
18) You Had A Woman – Geneva Vallier(Cash)
19) Love Bandit – The Cadets (Modern)
20) Bloodshot Eyes – Wynonie Harris (King)
21) Soon You’ll Be Gone – The Blues Busters (BRA)

Download or Listen To DJ Andy Smith Many Styles Mix from the FMF Guest Series

Keep Diggin’!

Funky Bijou – Funky Bijou Anthem

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Funky Bijou – Funky Bijou Anthem, the video

Straight out of Rennes, France comes Stereophonk Records. Headed up by DJ Deheb and DJ Marrrtin, this French label is releasing some scorching Funk, Soul, and Hip Hop 45s. Funky Bijou’s “Funky Bijou Anthem” is their first, with a run of 800 which sold out immediately. I can completely understand why. A perfect B-Boy anthem: a sad guitar loop, some tabla and Indian percussion, funky flute, plus some drums of death which make this rocker complete that keeps all the dancers uprocking all night long. These guys have a facebook page where you can check out more videos and information on the Stereophonk posse. This particular track has been adopted as a B-Boy anthem, recently played at the Redbull BC One in Moscow in 2011:

It’s a scorcher, reminiscent of “The Baden Persuader” from Starla Records and one of my favorite sitar break records, “Mather” by the Dave Pike Set. They’ve also got some pretty great remixes too, a funk filled remix of “Ooh Baby” from Smokey Robinson , and Patti Drew’s “Tell Him” (for the romantic B-Boy in you!). The promo videos they have created for each track are a great collage and just like putting sliced truffles under the skin of game fowl, it’s a nice pairing to say the least. They’re tagline at Stereophonk is: French Groove Recordings, and they more than live up to their name. Keep an eye and ear out from this crew, as they will stay on your radar after you hear some of these sides and remixes.

Funky Bijou – Funky Bijou Anthem

Stereophonk on Soundcloud

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FMF presents: The 10 for a $1 JB 45 Mix

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A few years ago I was in a hurry to leave my local digging spot. I was supposed to make an appointment, and as usual I was neck deep in vinyl. Knowing I was really late, I was jogging to my car when I saw this box. It was a giant washing machine detergent box overflowing with 45s. I mean 7″s were on the ground, in the sand and tumbling out of this box. I tried to make a quick $10 dollar ploy for this monstrosity to the seller, a total dick record dealer, but the guy wouldn’t budge. He said $20, I said “bet” (and I still do), and off I went. I was driving home and digging through this box while driving. One eye on the road, one hand on the wheel, the other eye and hand on and in the box. What was in the box of goodness I found out, was a lot of rinked up, semi-playable, unsleeved 45s. At a light I pulled out Mickey and the Soul Generation’s “Iron Leg” on Maxwell. $20 well spent, and I was pumped. However, later on,, I got rid of all the garbage records when I was finally able to go through the box properly. The others I put in a bin, and kind of forgot about them for a few years. There were roughly 200 45s in the box, so that’s 10¢ a piece (plus the score of M&TSG). Yesterday, for no particular reason, I felt like looking in the box. The result is the mix you have before you. I wish I had done this before, but I didn’t. I was smart enough, however, to put all the James Brown and James Brown Production stuff on the top, and here’s what I came up with:

FMF presents: The $1 JB 45 Mix.

Let A Man Come In and Do The Popcorn Part 1.
Superbad, Superslick, Part 1
Escapism Part 1
Brother Rapp Part 1
It’s A New Day Part 1
Give It Up Or Turn It Loose
Mother Popcorn
Ain’t That A Groove
Bodyheat Part 1
Down and Out in New York City

Download or Listen to The 10 for a $1 JB 45 Mix mixed by DJ Prestige

10 JB tunes for a $1. Done in one take, live, and with some pops, clicks, and a skip or two. It’s JB and I got them for a buck. Nothing special, just the Godfather, the Minister of the New New Super Heavy Funk, and Soul Brother Number 1 on King, People, and Polydor. Enjoy.

Keep Diggin’!

Now We Lost Don

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I woke up yesterday shocked to hear of the passing of Soul Train legend Don Cornelius. Even more shocked that it was from a self inflicted gun shot wound, an apparent suicide. Seriously? Very sad indeed. Don Cornelius introduced me to so many different artists as a child. I mean, I watched the damn show with my family, and continued to check it out always as I was growing up. I watched it for the music, not the fashion (although quite funny) and of course that Soul Train line. As I got older and started digging, I always came across the Soul Train compilations, which were important to an up and coming DJ like myself. Highlighting people I was familiar with: Isaac Hayes, Curtis Mayfield, The Spinners and the Dells (my dad’s favorite), I also got exposed to bands like the Natural Four, Bobby Blue Bland, and The Moments. This video highlights a lot of the great artists I got exposed to. Check out James Gadsen on the drums behind Bill Withers, and a gang of other great Funk, Soul, and Hip Hop artists that graced the Soul Train stage. Even Rosie Perez makes an appearance on the Soul Train line if you don’t blink.

Quest Love has spoken out on the passing of Don Cornelius. This is a really great, heartfelt article from a talented musician/ music historian. I am very sad that we’ve lost this legend. It seems like we’re losing a lot of them these days: Etta James, Jimmy Castor, and now Don Cornelius. A true innovator of television, human rights, and a music revolutionary. He changed the way we see music on tv, and exposed the world to some of the best artists we have ever known. We may not have Don Cornelius anymore, but we still have the thousands of clips all over the net of past episodes of Soul Train. You can also get a Soul Train like experience when you go to a Hot Peas and Butta DJ night, as Skeme Richards and company not only replicate the music, but play loads of Soul Train footage behind you as you dance the night away. Rest In Power Don, Peace and Soul forever.

Keep Diggin’!

Secret Stash Records: Twin Cities Grooves

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The greatest thing about music, especially unreleased music, is that eventually someone finds it. Whether it’s some private press 45 in the trash, an acetate that was found at a garage sale, or as we found out this week from Jazzman Gerald, a lost master tape in a box in Texas, what one does with it is the important thing. Sites like mine and others that share these lost records help bring attention to the forgotten artists. Record labels like Minneapolis’ Secret Stash, go a step further. They not only find this forgotten and sometimes unreleased music, they put it out on vinyl. So far they have close to two dozen releases that range from African music to Russian and Peruvian Funk to Reggae interpretations of Miles Davis to lost Blaxploitation Soundtracks to Gospel Funk and more. The do it up right, give the Lp packaging the special deluxe treatment, and point blank put out good product.

“ We are dedicated to one thing, releasing great music in great collectible LP packages. ”

Their latest release is from Mickey Murray. Murray did his time on the Chitlin’ Circuit, as well as playing with Dyke and the Blazers, Wilson Picket, Staple Singers, and Aretha Franklin among others. Known for his hit single, the Otis Redding cover of “Shout Bamalama” from 1967, this Georgia native was slated to be the next James Brown. He released a record on King, People Are Together that never saw the light of day in proper retail stores. You know the rest. Fading again into obscurity, Murray has been out of the business for sometime. These days, singing at low key church functions and the like make up his schedule, as opposed to backing up the day’s best Soul singers and groups. Secret Stash have reissued this gem of a record, helping to resurrect the Soul legend’s career once again. The overall response for the record so far was overwhelming, and it’s first run with a bonus 45 has sold out already. It’s exactly the kind of stuff we like to see here at FMF. Reissues done properly, artists being taken care of, and lost music preserved. The secret is out, and you will most certainly hear from Secret Stash Records again in the future.

Stay tuned for an upcoming Big Ups interview with Secret Stash owner Eric Foss.

Check out Secret Stash on the web.

Secret Stash social media: twitter, facebook, myspace, and You Tube.

Check out Mickey Murray’s record release party photos from last week in MPLS.

Secret Stash stops at KFAI to talk about their Mickey Murray release.

Keep Diggin’!

Big Ups with Jazzman Gerald

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Of all of the Big Up interviews (which btw have all been great in my opinion), this has been the most anticipated. Jazzman Gerald is a guy who does things the way he wants. In other words, he is the guy who set the bar for reissues and bringing the underdog artist to the public’s eyes and ears. He has been doing it well, taking care of the artists he reissues, all the while running a record label dynasty that is quite impressive. When not DJing rare music all over the world, he’s keeping all the record collectors, DJs, producers and artists scrambling to get his latest releases and compilations. Heard he’s a football supporter, but no mention of it in the interview. Gerald get at me on that! It is an honor for us to have Gerald in this latest installment of Big Ups. Enjoy!

Jazzman Records on the web.

TheJazzman Gerald Blog. See what he’s up to.

Follow Jazzman on twitter.

Keep Diggin’!

Funky Sole 11th Year Anniversary

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I promote a bunch of East Coast Funk and Soul and music events on these pages, but I need to give a shout to the left coast. I have been a fan of this series of different music nights for a long time. When it was the Root Down, I would try and get my friends in LA to send me the promo flyers because they were so dope. I know I have a few around somewhere. Funky Sole has definitely evolved in the past eleven years. They have had a who’s who of guests at all incarnations of the party (Keb Darge, J-Rocc, Adrian Younge, DJ Nu-Mark, Quantic, Chairman Mao, DJ Shadow, Skeme Richards(among others) and official DJs Clifton, Music Man Miles, DJ Chico, the gang of DJs known as the Soul Travelers, a rotating cast of LA DJs, and unofficial residents Cut Chemist and Egon who have blessed the turntables while opening people’s minds to all kinds of new, funky music from all over the world. Not commercial music. Not radio music. REAL MUSIC. The best part about it? It’s free, every week, and right smack in the middle of all the action.

“It wasn’t like Cut Chemist playing hits, or Egon playing hits, we were experimenting with different types of stuff. It wasn’t just Deep Funk, it was Ethiopian Soul, Psychedelic, Ghanaian, Salsa, Cumbia, Funk, Old School Hip Hop and obscure Cosmic Disco, twisted, dusted, psychedelia. Whatever we wanted to play. ”

I definitely wanted to shout out Miles and the Funky Sole crew, as they have been doing parties the way they should be done since day one. They do it and do it well. If you are out in LA and haven’t been to this party, I urge you to get there and get turned on to a whole different vibe. Miles describes the party itself as “A dance party where we celebrate mostly 60′s to early 70′s Funk Soul music, whether it’s instrumental or vocal. If it’s funky and it moves people on the dance floor, that’s what works at Funky Sole. And vinyl.” Sounds like my kind of place. Hit ‘em up when you’re in the LA area.

Funky Sole
Every Saturday
The Echo
1822 Sunset Blvd
LA, CA

Weekly Special Guests and Surprises

Funky Sole 11th Year Anniversary video directed and edited by Giovanni Solis

Keep Diggin’!

Follow Funky Soul on twitter.

Jazzman Records: The Interview

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I’m excited to announce that the next Big Ups interview will be, to me, the best digger and preserver of Funk, Soul, Jazz, and many other genres. A true defender of the underdog musicians throughout the world. A man that has dedicated his life to keeping this music we all love alive. I, along with countless others have bought these records, gained knowledge from Gerald, and enjoyed the many Lps, 7″s, and compilations he’s put out through the years. He was the first person to actually do a regional Funk compilation properly with Hard Texas Funk. While others were bootlegging, Gerald did his due diligence, put the legwork in, and came out with the official compilation. This set the bar for all of the future compilations. Label scans, rare photos, band info, studio info, and anything else that was relevant was included. All of this (for the most part) is common place these days. Everyone from Numero to Now Again to anyone else resurrecting and releasing these forgotten artists and music owes a debt of gratitude to Jazzman.

“ We’re validating a style of music that was already there but wasn’t being done properly. ”-Jazzman Gerald on Jazzman Records, 2011

Here is an interview done in December 2011 in Lausanne, Switzerland where Gerald speaks on Jazzman Records, how he got his start, and what the label is all about. It’s a great insight on the label’s philosophy, a brief history of the music he preserves, and why it’s important that it’s to be done properly. As I said earlier, I’ve got Gerald in a Big Ups interview that will drop next week. Here’s a little back ground for those who are or aren’t familiar. It’s a great insight into the life and views of the man they call Jazzman Gerald.

Jazzman Gerald Interview 2011

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Diazpora – Song 2

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I find that the best cover songs are usually in the Funk and Reggae realm. Early Reggae that was covering Motown and R & B that they heard on American airwaves, or from the records that were brought back from the States just can’t be beat. In the modern sense, it seems like a lot of Funk and Soul bands were resurrecting the sounds of artists like JB and Marva Whitney, but also dabbling in covers of Rock songs. Adam aka Lack of Afro has a cracker of a cover of Arctic Monkeys “When The Sun Goes Down”, and now our friends in Germany at Our Records have released a little Rock cover of their own. The most well known Blur song, “Song 2″, or the Woo Hoo song if you will, has been “reinvented as an uptempo Deep Funk tune by Diazpora with tight horns and featuring the vocal talents of Hamburg’s Nora Kinga Becker, who gives the song the soulful edge it deserves.” It’s the second record produced by Our Label’s own Gu, and it’s a belter.

Nora Kinga Becker channels N’Dea Davenport via Damon Albarn’s lyrics, while Diazpora’s tight drums, wah wah guitar, and horn section move your body and shake your ass to the groove. Lest we not forget the bass line, which will keep you dippin’ for the entire 2:12. As Keb Darge once said: “I play fucking records that I think are great, and that’s my style”. I couldn’t agree more with that statement in terms of this record.

Snippet of Diazpora – Song 2 on Soundcloud

Hear the full length on Our Records You Tube Channel

Buy this record here.

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Big Ups with Chairman Mao

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This week we have a special treat. Our Big Ups is none other than Jefferson Mao, aka Chairman Mao, co-founder of ego trip. If you have been living under a rock for the last 18 years, ego trip was the go to Hip Hop culture magazine in the 90′s. I think I may have shed a tear the day they stopped publishing it. Luckily, there is egotripland, your daily fix of the best Hip Hop music culture you will read, and I back that up 100%. Chairman Mao is a well known DJ, crate digger, writer, and all around good guy who knows his shit. We’re happy to have him aboard on FMF and Big Ups.

Check Out Chairmqan Mao’s radio show Across 135th St. on RBMA Radio.

Check out egotripland.

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R.I.P.: Johnny Otis and Jimmy Castor

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It is with great sadness that I report the death of another great from this music game, Johnny Otis. He lived a long life, and at 90 years young, Mr. Otis was a huge contributor to Funk, Soul, early Rock ‘N Roll and R & B music. Read more from the LA Times. Otis is another in the list of deaths here in 2012. Saxophone player and band leader, Jimmy Castor, the E-Man, Mr. It’s Just Begun, and creator of The Bertha Butt Boogie passed away last week. These two legends in the record game were key players and contributors to this life we call Hip Hop. Castor’s B-Boy anthem “It’s Just Begun” has been rocking dance floors for decades, while Otis’ contribution to the LA music scene as well as radio industry is giant. Here are two posts I did on Otis: The Watts Breakaway and Country Girl.

Rest In Power to these two giants. B-Boys, DJs, Diggers, and producers all over the world give both of you a huge Salut!

Keep Diggin’!

Gil Scott, Stevie and MLK

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Check out the Guardian article with excerpts from Gil Scott-Heron’s memoirs that tell the story of Stevie Wonder, the Hotter Than July Tour in 1981, and the fight to get Martin Luther King recognized with a national holiday. Not only is this an incredible story, but a first hand account from Gil Scott, who was a supporting artist on part of the tour that year. As controversial as he was talented, this is a remarkable piece of writing, as well as a huge nod of respect to Stevie Wonder. If you were just a so so fan of Stevie’s before (and you should really get into him more, just sayin’), than after you read this, tell me you don’t have more respect for the man. I know I do. The impact of that the man Martin Luther King, Jr. had on this world speaks in volumes, and it makes me happy that a man like Stevie Wonder could recognize that as well and bring this holiday to fruition.

Hear an excerpt of Gil Scott-Heron in regards to Stevie, MLK, and more. Courtesy of 38th Notes

Stevie Wonder BBC Documentary Hotter Than July

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Creative Source – Who Is He And What Is He To You

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Creative Source was a short lived band out of Los Angeles, California. Comprised mostly of mostly unknown musicians, the band put out four Lps, 2 on the mighty Sussex label, and 2 on the equally big Polydor Records. Here’s their biggest hit, a cover of Bill Withers’ “Who Is He And What Is He To You” on Sussex Records from 1974.

Bill Withers, when he wasn’t assisting the whole of the country procreate with his music, was writing solid, Soul music. There is no way you can deny “Use Me” or “Just The Two Of Us” (among others). However, Creative Source took his song “Who Is He And What Is He To You” and elevated it to something else. Members Barbara Berryman, Barbara Lewis, Don Wyatt, Steve Ranagan, and Celeste Rose went the funky Disco route and hyped up this side. Although they would make the move from Sussex to Polydor after Migration, clearly a bigger record label, they didn’t find the success they wanted. In fact, after just two more records with not much promotion, Creative Source would be put back onto a dusty shelf. Even though they would reach the top fifth of the US R & B charts with several of the records, it seems like it’s the same old song and dance with the old record industry. No money, no promotion, and in a world where there was no social media let alone computers or Twitter, you actually had to rely on radio stations, A & R, and a record company to push a certain record or band. While they had a good run, Creative Source faded back into normal life as quickly as they came in.

Creative Source’s version of “Who Is He And What Is He To You” is something special. What I’m bringing to you today is the instrumental, which I think is the best version. The Lp version is well over 10 minutes long (imagine that playing on FM on a Saturday night), but the single version packs a punch too. A wah wah guitar, some fuzzed out guitars, plus some fantastic horn stabs will keep your head nodding (and the dance floor movin’) until the end of the night. They may have been a flash in the pan, but if Creative Source kept putting out belters like this, they might have had a little longer shelf life. In fact, this has Blaxploitation car chase written all over it. Black Dynamite, get on it will you? FYI, this band also did a great version of “Magic Carpet Ride” from the S/T first LP which I have included on a past FMF mix. Here’s to a funky MLK Day. Keep Diggin’!

Download or Listen to Creative Source – Who Is He And What Is He To You from the Sussex 45